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有關香港設計師協會<\/b> <\/p> \n

香港設計師協會成立于一九七二年，是香港首個同類型組織，也是香港設計中心的創始成員之一。其核心使命是推動設計的公共利益、培育年輕設計師，并提升所有領域之設計從業員的專業地位。協會的旗艦項目包括：自一九七五年設立的環球設計大獎（GDA）、<\/p> \n

BDA品牌大獎、香港國際設計獎項贊助計劃（SIDA）、設計與科技計劃（DXT），DesignMatch“設計對”商業配對計劃等。<\/p> \n

目前協會擁逾千名個人及企業會員，會員基礎多元化，包括：專業會員、準會員、附屬會員、學生會員和企業會員，涵蓋六大設計范疇：平面設計、空間設計、產品設計、數碼設計、時裝設計和設計教育。 協會一直將優質設計、教育、科技整合、可持續性、業務支援、多樣性和包容性視為首要，時至今日已成為其會員，以及整個亞太地區的設計師、企業和組織的重要平臺。通過推進這些關鍵領域，協會除了為會員提供寶貴資源、人脈網絡和專業指導，同時亦作為帶動設計行業創新和協作的樞紐。<\/p> \n

附錄<\/b> A<\/b>  - <\/b> BDA <\/b> 品牌大獎<\/b> 2025<\/b> 得獎名單<\/b> (*In Alphabetical order )<\/p> \n

Best of the Best<\/i> <\/b> <\/p> \n

\n \n \n \n \n \n

Best of the Best 1 <\/span> <\/p> <\/td> \n

"安踏"（ANTA） <\/span> <\/p> <\/td> \n <\/tr> \n

Best of the Best 2 <\/span> <\/p> <\/td> \n

AIRSIDE<\/span> <\/p> <\/td> \n <\/tr> \n

Best of the Best 3<\/span> <\/p> <\/td> \n

“環境保護署綠在區區”（GREEN@COMMUNITY of the Environmental Protection Department）<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n


Grand Award of the Year <\/i> <\/b> <\/p> \n

\n \n \n \n \n \n \n \n \n \n \n \n \n

Aravia Design Limited 睿凡設計有限公司<\/span> <\/p> <\/td> \n

Quooker<\/span> <\/p> <\/td> \n <\/tr> \n

BeCandle<\/span> <\/p> <\/td> \n

SOULITE 浮云生物<\/span> <\/p> <\/td> \n <\/tr> \n

CityUHK Milk 城大牛奶<\/span> <\/p> <\/td> \n

SPARKLE by<\/span> <\/p>

KAREN CHAN<\/span> <\/p> <\/td> \n <\/tr> \n

FungFitz 馮韋<\/span> <\/p> <\/td> \n

Spatial Concept 意空間室內設計<\/span> <\/p> <\/td> \n <\/tr> \n

Gold Peak Technology Group 金山科技集團<\/span> <\/p> <\/td> \n

TamJai Mixian 譚仔香港米線<\/span> <\/p> <\/td> \n <\/tr> \n

HAREODY HOME 華諾狄家居<\/span> <\/p> <\/td> \n

TeamUnlock+<\/span> <\/p> <\/td> \n <\/tr> \n

Hong Kong Science & Technology Parks Corporation<\/span> <\/p>

香港科技園公司<\/span> <\/p> <\/td> \n

The Spark<\/span> <\/p> <\/td> \n <\/tr> \n

Hong Kong Tramways 香港電車<\/span> <\/p> <\/td> \n

Tony Ip Green Architects 葉頌文環保建筑師事務所<\/span> <\/p> <\/td> \n <\/tr> \n

IXDC（International eXperience Design Committee）<\/span> <\/p>

國際體驗設計委員會<\/span> <\/p> <\/td> \n

TriTerra & Dunwell<\/span> <\/p>

賽特立科技 & 正昌環保<\/span> <\/p> <\/td> \n <\/tr> \n

Link Sustainability Lab 領展可持續未來館<\/span> <\/p> <\/td> \n


<\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n

 Best Innovation Brand Award<\/i><\/b><\/p> \n

\n \n \n \n \n \n

Arti Studio Limited<\/span> <\/p> <\/td> \n <\/tr> \n

Creato<\/span> <\/p> <\/td> \n <\/tr> \n

Mr. Q Panda Workshop<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n

Best Brand Image Award<\/i> <\/b> <\/p> \n

\n \n \n \n \n \n \n

CityUHK Milk<\/span> <\/p> <\/td> \n <\/tr> \n

Hong Kong Tramways<\/span> <\/p> <\/td> \n <\/tr> \n

Tin Ka Ping Centre of Chinese Culture, HKMU<\/span> <\/p> <\/td> \n <\/tr> \n

Panda SME Consultancy Limited熊貓企業顧問有限公司<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n

Best Sustainability Brand Award<\/i> <\/b> <\/p> \n

\n \n \n \n \n \n

Benjamin Moore<\/span> <\/p> <\/td> \n <\/tr> \n

Dress Green<\/span> <\/p> <\/td> \n <\/tr> \n

The Spark<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n

Best User Experience Brand Award<\/i> <\/b> <\/p> \n

\n \n \n \n \n \n \n

Glamstudio<\/span> <\/p> <\/td> \n <\/tr> \n

Heep Hong Society<\/span> <\/p> <\/td> \n <\/tr> \n

UAL MA Design Management (Hong Kong Cohort)<\/span> <\/p> <\/td> \n <\/tr> \n

夢樂<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n

Best Market Value Brand Award<\/i> <\/b> <\/p> \n

\n \n \n \n \n \n

Chill Play New Media<\/span> <\/p> <\/td> \n <\/tr> \n

Gordon Parenting<\/span> <\/p> <\/td> \n <\/tr> \n

TRICKSTER<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n

附錄<\/b> B - <\/b> 環球設計大獎<\/b> 2025<\/b> 得獎名單<\/b> <\/p> \n

Gold Awards<\/b> <\/p> \n

\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n

1<\/span> <\/p> <\/td> \n

PRODUCT<\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Transforming Waste into Value:<\/span> <\/p>

The Upcycling Revolution<\/span> <\/p> <\/td> \n

CycleCore<\/span> <\/p> <\/td> \n

Mui Kinoshita<\/span> <\/p> <\/td> \n <\/tr> \n

2<\/span> <\/p> <\/td> \n

PRODUCT<\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Ventete<\/span> <\/p> <\/td> \n

Ventete<\/span> <\/p> <\/td> \n

Colin Herperger, Sam Davies, <\/span> <\/p>

Patch Perez, Steven Pippin, <\/span> <\/p>

Steven Davies<\/span> <\/p> <\/td> \n <\/tr> \n

3<\/span> <\/p> <\/td> \n

PRODUCT<\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

EH216-S 電動無人駕駛載人航空<\/span> <\/p>

器<\/span> <\/p> <\/td> \n

億航智慧型設備（廣州）有限<\/span> <\/p>

公司<\/span> <\/p> <\/td> \n

億航智能<\/span> <\/p> <\/td> \n <\/tr> \n

4<\/span> <\/p> <\/td> \n

FASHION<\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Planar three-dimensions<\/span> <\/p> <\/td> \n

Academy of Arts & Design, <\/span> <\/p>

Tsinghua University<\/span> <\/p> <\/td> \n

Li Yingjun<\/span> <\/p> <\/td> \n <\/tr> \n

5<\/span> <\/p> <\/td> \n

FASHION<\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Indecision<\/span> <\/p> <\/td> \n

FungFitz<\/span> <\/p> <\/td> \n

FungFitz<\/span> <\/p> <\/td> \n <\/tr> \n

6<\/span> <\/p> <\/td> \n

FASHION<\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

《石流冰川》"Stone Flow Glacier"<\/span> <\/p> <\/td> \n

Kenny Li<\/span> <\/p> <\/td> \n

Kenny Li<\/span> <\/p> <\/td> \n <\/tr> \n

7<\/span> <\/p> <\/td> \n

DIGITAL<\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

HUSH．RUSH  謐．沖<\/span> <\/p> <\/td> \n

CHOI SAI HO<\/span> <\/p> <\/td> \n

CHOI SAI HO<\/span> <\/p> <\/td> \n <\/tr> \n

8<\/span> <\/p> <\/td> \n

DIGITAL<\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

TSM Xiangtangshan XTS iDome<\/span> <\/p>

Project<\/span> <\/p> <\/td> \n

Tsz Shan Monastery Limited<\/span> <\/p> <\/td> \n

Eddy Hui<\/span> <\/p> <\/td> \n <\/tr> \n

9<\/span> <\/p> <\/td> \n

GRAPHIC<\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

簡單上下 EasyGo<\/span> <\/p> <\/td> \n

成都覓方文化傳播有限公司<\/span> <\/p> <\/td> \n

Xingyue Deng<\/span> <\/p> <\/td> \n <\/tr> \n

10<\/span> <\/p> <\/td> \n

GRAPHIC<\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

PolyU School of Fashion and<\/span> <\/p>

Textiles<\/span> <\/p> <\/td> \n

Toby Ng Design<\/span> <\/p> <\/td> \n

Toby Ng Design<\/span> <\/p> <\/td> \n <\/tr> \n

11<\/span> <\/p> <\/td> \n

INTERIOR<\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

RegeneOffice<\/span> <\/p> <\/td> \n

NOSIGNER<\/span> <\/p> <\/td> \n

Eisuke Tachikawa \/ NOSIGNER<\/span> <\/p> <\/td> \n <\/tr> \n

12<\/span> <\/p> <\/td> \n

INTERIOR<\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

hong kong palace museum_the<\/span> <\/p>

quest for originality<\/span> <\/p> <\/td> \n

84000 communications limited<\/span> <\/p> <\/td> \n

anothermountainman (stanley <\/span> <\/p>

wong)  X collective studio<\/span> <\/p> <\/td> \n <\/tr> \n

13<\/span> <\/p> <\/td> \n

INTERIOR<\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Galaxy Macau Kidz Edutainment<\/span> <\/p>

Centre<\/span> <\/p> <\/td> \n

Groundwork<\/span> <\/p> <\/td> \n

Manfred Yuen, Fiona Bao, CY Lau<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n

Judges Choice <\/b> <\/p> \n

\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n

1<\/span> <\/p> <\/td> \n

PRODUCT  <\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Winnif Pang)<\/span> <\/p> <\/td> \n

Transforming Waste into <\/span> <\/p>

Value: The Upcycling <\/span> <\/p>

Revolution<\/span> <\/p> <\/td> \n

CycleCore<\/span> <\/p> <\/td> \n

Mui Kinoshita<\/span> <\/p> <\/td> \n <\/tr> \n

2<\/span> <\/p> <\/td> \n

PRODUCT  <\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(王文東）<\/span> <\/p> <\/td> \n

EH216-S 電動無人駕駛<\/span> <\/p>

載人航空器<\/span> <\/p> <\/td> \n

億航智慧型設備（廣<\/span> <\/p>

州）有限公司<\/span> <\/p> <\/td> \n

億航智能<\/span> <\/p> <\/td> \n <\/tr> \n

3<\/span> <\/p> <\/td> \n

PRODUCT  <\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Pradyumna <\/span> <\/p>

Vyas)<\/span> <\/p> <\/td> \n

COM-PLATES Ⅱ<\/span> <\/p> <\/td> \n

KOUSHIN DIE & <\/span> <\/p>

MOLD WORKS LTD.<\/span> <\/p> <\/td> \n

HIROSHI TAKAHASHI<\/span> <\/p> <\/td> \n <\/tr> \n

4<\/span> <\/p> <\/td> \n

FASHION <\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(房瑩、Kay <\/span> <\/p>

Kwok、Tony <\/span> <\/p>

Vergara)<\/span> <\/p> <\/td> \n

Planar three-dimensions<\/span> <\/p> <\/td> \n

Academy of Arts & <\/span> <\/p>

Design, Tsinghua <\/span> <\/p>

University<\/span> <\/p> <\/td> \n

Li Yingjun<\/span> <\/p> <\/td> \n <\/tr> \n

5<\/span> <\/p> <\/td> \n

DIGITAL <\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Bernd <\/span> <\/p>

Kracke、<\/span> <\/p>

Henry Chu)<\/span> <\/p> <\/td> \n

HUSH．RUSH  謐．沖<\/span> <\/p> <\/td> \n

CHOI SAI HO<\/span> <\/p> <\/td> \n

CHOI SAI HO<\/span> <\/p> <\/td> \n <\/tr> \n

6<\/span> <\/p> <\/td> \n

DIGITAL <\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Pavel Mrkus)<\/span> <\/p> <\/td> \n

RESPIRA 2.0<\/span> <\/p> <\/td> \n

Future Spaces Vision <\/span> <\/p>

Lab, School of Design, <\/span> <\/p>

SUSTech<\/span> <\/p> <\/td> \n

Yong Zhao, Luwen Zhang, Mirna <\/span> <\/p>

Zordan<\/span> <\/p> <\/td> \n <\/tr> \n

7<\/span> <\/p> <\/td> \n

GRAPHIC <\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Vince Frost)<\/span> <\/p> <\/td> \n

第六屆關中忙罷藝術節<\/span> <\/p> <\/td> \n

Untitled Macao<\/span> <\/p> <\/td> \n

Untitled Macao<\/span> <\/p> <\/td> \n <\/tr> \n

8<\/span> <\/p> <\/td> \n

GRAPHIC <\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(韓家英)<\/span> <\/p> <\/td> \n

Typeface Design for Brand <\/span> <\/p>

Design Awards Awardee <\/span> <\/p>

Book 2023<\/span> <\/p> <\/td> \n

Eric Chan Design Co Ltd<\/span> <\/p> <\/td> \n

Eric Chan, Bai Chia Ping<\/span> <\/p> <\/td> \n <\/tr> \n

9<\/span> <\/p> <\/td> \n

GRAPHIC <\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Norito <\/span> <\/p>

Shinmura)<\/span> <\/p> <\/td> \n

2024華語百佳海報邀請展<\/span> <\/p> <\/td> \n

同濟大學設計創意學<\/span> <\/p>

院<\/span> <\/p> <\/td> \n

孫大旺、潘惠<\/span> <\/p> <\/td> \n <\/tr> \n

10<\/span> <\/p> <\/td> \n

INTERIOR <\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Thomas <\/span> <\/p>

Kvan)<\/span> <\/p> <\/td> \n

RegeneOffice<\/span> <\/p> <\/td> \n

NOSIGNER<\/span> <\/p> <\/td> \n

Eisuke Tachikawa \/ NOSIGNER<\/span> <\/p> <\/td> \n <\/tr> \n

11<\/span> <\/p> <\/td> \n

INTERIOR <\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Judge Choice
(Thomas <\/span> <\/p>

Garvey)<\/span> <\/p> <\/td> \n

Through The Years, To <\/span> <\/p>

Touch You<\/span> <\/p> <\/td> \n

X-ARt<\/span> <\/p> <\/td> \n

Tristan BRAUD, Brian LAU, <\/span> <\/p>

Dominie CHAN Hoi Lam, <\/span> <\/p>

Christopher CHAN<\/span> <\/p> <\/td> \n <\/tr> \n

12<\/span> <\/p> <\/td> \n

INTERIOR <\/span> <\/p>

DESIGN<\/span> <\/p> <\/td> \n

Judge Choice<\/span> <\/p>

(Horace Pan)<\/span> <\/p> <\/td> \n

Jockey Club Project Well-<\/span> <\/p>

being: Place-making <\/span> <\/p>

at Schools<\/span> <\/p> <\/td> \n

PolyU College of <\/span> <\/p>

Professional and <\/span> <\/p>

Continuing Education<\/span> <\/p> <\/td> \n

PolyU College of Professional <\/span> <\/p>

and Continuing Education, <\/span> <\/p>

Architecture Commons, One Bite <\/span> <\/p>

Design Studio, DOMAT, <\/span> <\/p>

Groundwork, <\/span> <\/p>

Littleurbanmountain Design, The <\/span> <\/p>

Third Teacher, Kay Chan & <\/span> <\/p>

Unite Unit<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n

GDA 2025 – Global Top 10<\/b> <\/p> \n

\n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n \n
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久久久亚洲欧洲日产国码二区

1<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

Transforming Waste into Value: The Upcycling <\/span> <\/p>

Revolution<\/span> <\/p> <\/td> \n

CycleCore<\/span> <\/p> <\/td> \n

Mui Kinoshita<\/span> <\/p> <\/td> \n <\/tr> \n

2<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

Ventete<\/span> <\/p> <\/td> \n

Ventete<\/span> <\/p> <\/td> \n

Colin Herperger, Sam Davies, <\/span> <\/p>

Patch Perez, Steven Pippin, Steven <\/span> <\/p>

Davies<\/span> <\/p> <\/td> \n <\/tr> \n

3<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

EH216-S 電動無人駕駛載人航空器<\/span> <\/p> <\/td> \n

億航智慧型設備（廣州）有限公司<\/span> <\/p> <\/td> \n

億航智能<\/span> <\/p> <\/td> \n <\/tr> \n

4<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

COM-PLATES Ⅱ<\/span> <\/p> <\/td> \n

KOUSHIN DIE & MOLD WORKS <\/span> <\/p>

LTD.<\/span> <\/p> <\/td> \n

HIROSHI TAKAHASHI<\/span> <\/p> <\/td> \n <\/tr> \n

5<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

Exlicon Lock- Perspective Drafting Tools To Unlock <\/span> <\/p>

Creativity<\/span> <\/p> <\/td> \n

Ddiin Concept Limited<\/span> <\/p> <\/td> \n

Sofia Lee Pik Shan\/ Lee Yuk Shui<\/span> <\/p> <\/td> \n <\/tr> \n

6<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

Sakanakaruta<\/span> <\/p> <\/td> \n

Chiba Print Co.,Ltd<\/span> <\/p> <\/td> \n

Kyosuke Ishita, Seishiro Masutani, <\/span> <\/p>

SANAGI design studio<\/span> <\/p> <\/td> \n <\/tr> \n

7<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

Exlicon L- Precision Golden Ratio Tools for Art and <\/span> <\/p>

Geometry<\/span> <\/p> <\/td> \n

Ddiin Concept Limited<\/span> <\/p> <\/td> \n

Sofia Lee Pik Shan\/ Lee Yuk Shui<\/span> <\/p> <\/td> \n <\/tr> \n

8<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

A Universal Charging post with CCS2 charging <\/span> <\/p>

connectors and Type 2 sockets<\/span> <\/p> <\/td> \n

Entrust Microgrid Ltd<\/span> <\/p> <\/td> \n

Nan Jiang<\/span> <\/p> <\/td> \n <\/tr> \n

9<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

智能割草機<\/span> <\/p> <\/td> \n

深圳市意臣工業設計有限公司<\/span> <\/p> <\/td> \n

深圳市意臣工業設計有限公司<\/span> <\/p> <\/td> \n <\/tr> \n

10<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

VAAKA the Coffee and Tea Balance<\/span> <\/p> <\/td> \n

Pong company ltd.<\/span> <\/p> <\/td> \n

leo yiu<\/span> <\/p> <\/td> \n <\/tr> \n

11<\/span> <\/p> <\/td> \n

PRODUCT DESIGN<\/span> <\/p> <\/td> \n

Uphold Cutlery Compact<\/span> <\/p> <\/td> \n

Uphold Living Limited<\/span> <\/p> <\/td> \n

Eravolution Limited<\/span> <\/p> <\/td> \n <\/tr> \n

12<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

Planar three-dimensions<\/span> <\/p> <\/td> \n

Academy of Arts & Design, <\/span> <\/p>

Tsinghua University<\/span> <\/p> <\/td> \n

Li Yingjun<\/span> <\/p> <\/td> \n <\/tr> \n

13<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

Indecision<\/span> <\/p> <\/td> \n

FungFitz<\/span> <\/p> <\/td> \n

FungFitz<\/span> <\/p> <\/td> \n <\/tr> \n

14<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

《石流冰川》"Stone Flow Glacier"<\/span> <\/p> <\/td> \n

Kenny Li<\/span> <\/p> <\/td> \n

Kenny Li<\/span> <\/p> <\/td> \n <\/tr> \n

15<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

M.Wavecut<\/span> <\/p> <\/td> \n

Double Black Company Limited<\/span> <\/p> <\/td> \n

Brian Chan<\/span> <\/p> <\/td> \n <\/tr> \n

16<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

M.Snowflake<\/span> <\/p> <\/td> \n

Double Black Company Limited<\/span> <\/p> <\/td> \n

Brian Chan<\/span> <\/p> <\/td> \n <\/tr> \n

17<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

Evanesce Series: Fashionable and Functional Lingerie <\/span> <\/p>

for Elderly Women<\/span> <\/p> <\/td> \n

PolyU Design x Silver Innovation<\/span> <\/p> <\/td> \n

Anthony Kong and Christie Ho<\/span> <\/p> <\/td> \n <\/tr> \n

18<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

Stroke<\/span> <\/p> <\/td> \n

MODE CREATION LIMITED<\/span> <\/p> <\/td> \n

Sin Mei Yuk, Aries<\/span> <\/p> <\/td> \n <\/tr> \n

19<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

Hang Onto The Present<\/span> <\/p> <\/td> \n

FungFitz<\/span> <\/p> <\/td> \n

FungFitz<\/span> <\/p> <\/td> \n <\/tr> \n

20<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

QIPAO Capsule Series<\/span> <\/p> <\/td> \n

FAVE BY KENNY LI<\/span> <\/p> <\/td> \n

Kenny Li<\/span> <\/p> <\/td> \n <\/tr> \n

21<\/span> <\/p> <\/td> \n

FASHION DESIGN<\/span> <\/p> <\/td> \n

ARTY:ACTIVE ECO OUTDOOR SPORTS COLLECTION<\/span> <\/p> <\/td> \n

plant216<\/span> <\/p> <\/td> \n

gary tsang<\/span> <\/p> <\/td> \n <\/tr> \n

22<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

HUSH．RUSH  謐．沖<\/span> <\/p> <\/td> \n

CHOI SAI HO<\/span> <\/p> <\/td> \n

CHOI SAI HO<\/span> <\/p> <\/td> \n <\/tr> \n

23<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

RESPIRA 2.0<\/span> <\/p> <\/td> \n

Future Spaces Vision Lab, School of <\/span> <\/p>

Design, SUSTech<\/span> <\/p> <\/td> \n

Yong Zhao, Luwen Zhang, Mirna <\/span> <\/p>

Zordan<\/span> <\/p> <\/td> \n <\/tr> \n

24<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

TSM Xiangtangshan XTS iDome Project<\/span> <\/p> <\/td> \n

Tsz Shan Monastery Limited<\/span> <\/p> <\/td> \n

Eddy Hui<\/span> <\/p> <\/td> \n <\/tr> \n

25<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

Whale Trails: Al-PoweredWhale Sightings<\/span> <\/p> <\/td> \n

Zhijun Song\/ Yi'nan Chen<\/span> <\/p> <\/td> \n

Yinan Chen & Zhijun Song<\/span> <\/p> <\/td> \n <\/tr> \n

26<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

Life through a window<\/span> <\/p> <\/td> \n

The Hong Kong Polytechnic <\/span> <\/p>

University<\/span> <\/p> <\/td> \n

Hillary KWAN<\/span> <\/p> <\/td> \n <\/tr> \n

27<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

Feel in the blank: Weaving the story with phygital <\/span> <\/p>

design<\/span> <\/p> <\/td> \n

PolyU Design x 430<\/span> <\/p> <\/td> \n

Anthony Kong<\/span> <\/p> <\/td> \n <\/tr> \n

28<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

cineDESK<\/span> <\/p> <\/td> \n

Hong Kong Academy for Performing <\/span> <\/p>

Arts, Zurich University of the Arts<\/span> <\/p> <\/td> \n

Dr. Terry Lam, Mr. Vincent Cheung, <\/span> <\/p>

Mr. Norbert Kottmann, Mr. Manuel <\/span> <\/p>

Flurin Hendry, Mr. Valentin Huber<\/span> <\/p> <\/td> \n <\/tr> \n

29<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

University Copilot<\/span> <\/p> <\/td> \n

Wow Internet Labz Pvt. Ltd<\/span> <\/p> <\/td> \n

Vinayak Bhandare<\/span> <\/p> <\/td> \n <\/tr> \n

30<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

Her View<\/span> <\/p> <\/td> \n

個人<\/span> <\/p> <\/td> \n

黎芊韻<\/span> <\/p> <\/td> \n <\/tr> \n

31<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

High Sections \/ Low Leaps<\/span> <\/p> <\/td> \n

Marcel Zaes Sagesser, Tristan Braud, <\/span> <\/p>

Zhen Wu, Sylvia Gyuwon Lee<\/span> <\/p> <\/td> \n

Marcel Zaes Sagesser, Tristan Braud, <\/span> <\/p>

Zhen Wu, Sylvia Gyuwon Lee<\/span> <\/p> <\/td> \n <\/tr> \n

32<\/span> <\/p> <\/td> \n

DIGITAL DESIGN<\/span> <\/p> <\/td> \n

Innovating Cultural IP Marketing & Appreciation with <\/span> <\/p>

Digitalization & AI<\/span> <\/p> <\/td> \n

Appreciator Innovation Company <\/span> <\/p>

Limited<\/span> <\/p> <\/td> \n

Appreciator Innovation Company <\/span> <\/p>

Limited<\/span> <\/p> <\/td> \n <\/tr> \n

33<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

簡單上下 EasyGo<\/span> <\/p> <\/td> \n

成都覓方文化傳播有限公司<\/span> <\/p> <\/td> \n

Xingyue Deng<\/span> <\/p> <\/td> \n <\/tr> \n

34<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

PolyU School of Fashion and Textiles<\/span> <\/p> <\/td> \n

Toby Ng Design<\/span> <\/p> <\/td> \n

Toby Ng Design<\/span> <\/p> <\/td> \n <\/tr> \n

35<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

第六屆關中忙罷藝術節<\/span> <\/p> <\/td> \n

Untitled Macao<\/span> <\/p> <\/td> \n

Untitled Macao<\/span> <\/p> <\/td> \n <\/tr> \n

36<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

Typeface Design for Brand Design Awards Awardee <\/span> <\/p>

Book 2023<\/span> <\/p> <\/td> \n

Eric Chan Design Co Ltd<\/span> <\/p> <\/td> \n

Eric Chan, Bai Chia Ping<\/span> <\/p> <\/td> \n <\/tr> \n

37<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

2024華語百佳海報邀請展<\/span> <\/p> <\/td> \n

同濟大學設計創意學院<\/span> <\/p> <\/td> \n

孫大旺、潘惠<\/span> <\/p> <\/td> \n <\/tr> \n

38<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

seeing words in hong kong \/ redwhiteblue \/\/ words <\/span> <\/p>

talking \/ self talking<\/span> <\/p> <\/td> \n

84000 communications limited<\/span> <\/p> <\/td> \n

anothermountainman (stanley <\/span> <\/p>

wong) \/ 84000 communications<\/span> <\/p> <\/td> \n <\/tr> \n

39<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

Dino Kiddo<\/span> <\/p> <\/td> \n

Untitled Macao<\/span> <\/p> <\/td> \n

Untitled Macao<\/span> <\/p> <\/td> \n <\/tr> \n

40<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

world peace 天下太平<\/span> <\/p> <\/td> \n

84000 communications limited<\/span> <\/p> <\/td> \n

anothermountainman (Stanley <\/span> <\/p>

Wong) \/ 84000 communications<\/span> <\/p> <\/td> \n <\/tr> \n

41<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

guangzhou design trienniel 2024 \/ section 4 \/ design : <\/span> <\/p>

surviving : living : being<\/span> <\/p> <\/td> \n

84000 communications limited<\/span> <\/p> <\/td> \n

anothermountainman (stanley <\/span> <\/p>

wong) \/ 84000 communications<\/span> <\/p> <\/td> \n <\/tr> \n

42<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

Osaka Poster Fest 2021 - CONTACT Series<\/span> <\/p> <\/td> \n

Eric Chan<\/span> <\/p> <\/td> \n

Eric Chan, Linda Wong<\/span> <\/p> <\/td> \n <\/tr> \n

43<\/span> <\/p> <\/td> \n

GRAPHIC DESIGN<\/span> <\/p> <\/td> \n

Otera<\/span> <\/p> <\/td> \n

Bake and Brew Limited<\/span> <\/p> <\/td> \n

Tang Ho Pan, Alex<\/span> <\/p> <\/td> \n <\/tr> \n

44<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

RegeneOffice<\/span> <\/p> <\/td> \n

NOSIGNER<\/span> <\/p> <\/td> \n

Eisuke Tachikawa \/ NOSIGNER<\/span> <\/p> <\/td> \n <\/tr> \n

45<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

hong kong palace museum_the quest for originality<\/span> <\/p> <\/td> \n

84000 communications limited<\/span> <\/p> <\/td> \n

anothermountainman (stanley <\/span> <\/p>

wong)  X collective studio<\/span> <\/p> <\/td> \n <\/tr> \n

46<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Galaxy Macau Kidz Edutainment Centre<\/span> <\/p> <\/td> \n

Groundwork<\/span> <\/p> <\/td> \n

Manfred Yuen, Fiona Bao, CY Lau<\/span> <\/p> <\/td> \n <\/tr> \n

47<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Through The Years, To Touch You<\/span> <\/p> <\/td> \n

X-ARt<\/span> <\/p> <\/td> \n

Tristan BRAUD, Brian LAU, Dominie <\/span> <\/p>

CHAN Hoi Lam, Christopher CHAN<\/span> <\/p> <\/td> \n <\/tr> \n

48<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Transforming Waste into Value: The Upcycling Revolution<\/span> <\/p> <\/td> \n

CycleCore<\/span> <\/p> <\/td> \n

Mui Kinoshita<\/span> <\/p> <\/td> \n <\/tr> \n

49<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

錯位社區-東鴉<\/span> <\/p> <\/td> \n

上海至所裝飾設計工程有限公司<\/span> <\/p>

（HOOOLD設計事務所）<\/span> <\/p> <\/td> \n

韓磊<\/span> <\/p> <\/td> \n <\/tr> \n

50<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Haikou Goxingli Insun Cinema<\/span> <\/p> <\/td> \n

ONE PLUS PARTNERSHIP LTD<\/span> <\/p> <\/td> \n

AJAX LAW LING KIT & VIRGINIA <\/span> <\/p>

LUNG<\/span> <\/p> <\/td> \n <\/tr> \n

51<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Nanyang Wanyue City Square<\/span> <\/p> <\/td> \n

ONE PLUS PARTNERSHIP LTD<\/span> <\/p> <\/td> \n

AJAX LAW LING KIT & VIRGINIA <\/span> <\/p>

LUNG<\/span> <\/p> <\/td> \n <\/tr> \n

52<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Mirror Maze<\/span> <\/p> <\/td> \n

Elsedesign + Department of <\/span> <\/p>

Architecture Tunghai University<\/span> <\/p> <\/td> \n

Philip Fung<\/span> <\/p> <\/td> \n <\/tr> \n

53<\/span> <\/p> <\/td> \n

INTERIOR DESIGN<\/span> <\/p> <\/td> \n

Nanshan Cinesky Cinema<\/span> <\/p> <\/td> \n

ONE PLUS PARTNERSHIP LTD<\/span> <\/p> <\/td> \n

AJAX LAW LING KIT & VIRGINIA <\/span> <\/p>

LUNG<\/span> <\/p> <\/td> \n <\/tr> \n <\/tbody> \n <\/table> \n<\/div> \n\"\""]; $("#dvExtra").html(content_array[0]);})();

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